14 Songs Recorded and Released in 14 weeks
You may have seen the gap between the last article and this article and thought “Where the heck did these guys go for two and half months?” Well, I’ll tell you.
Week 14 – “Army Private Envelope” by Shannon Fayth
The final week of our Summer Session has arrived. This has been our sixth album and we’re happy to see it go out with a bang as Shannon Fayth leads us on an epic story of love poems between her Grandfather and Grandmother when he was in the army and courting her through handwritten letters.
As always, you may add this song to your collection for $1 but, since this is the end of the session, you now have the option to purchase the album in it’s entirety for $9.99 (for 14 tracks) within the post. You will receive uncompressed WAV files of all of the songs and support each of our artists who have worked so hard to bring this Summer Session to you.
Week 13 – ‘Introverted’ by Joseph Burke
It is the penultimate week of our Summer Session and it is the first time for a couple of years that we have heard a song like this. Joseph threw the song out to our collaborators and we finished up with a personal electronic ballad that has an entrancing, ‘other-worldly’ drama to it.
Take a listen to the podcast to hear the track and also hear Joseph talk about how fulfilling the journey from his initial idea to the finished product was. You can own this song, as you can all the others in this Summer’s session for just one single dollar by clicking on the shopping cart icon on the widget below.
Week 12 – ‘These Walls’ by Fox in the Fold
Our Summer Session is nearing its close but not before we hear once again from Fox in the Fold. This is the second track written by Brendan Dalton this Summer and it is just as incredible as his first. Take a listen to the podcast to hear Brendan talk about how happy he was to get behind the piano again to write this song and how he was so pleased to hear the song unfold as the parts were recorded and submitted.
Week 11 – “Survive” by Myth Youth
This song quickly took on a life of its own after Steven Wendt uploaded an open-ended structure of a drum groove, acoustic guitar, and a synth which we referred to as “Twinkle Twankle.” Steven’s goal was to open it up to the group and see what it eventually evolved into and, in the end, in took on a Reggae groove complete with lyrics and a mini bass solo.